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Carissimi lettori, il mio saggio riporta una storia vera di mala giustizia italiana alla quale ne aggiungerò altre che ho vissuto in prima persona sulla mia pelle.
Table of contents

Fraudulent Counselors and Insincere Rhetoricians. Ulysses — The Eighth Trench continued. Fraudulent Counselors. Romagna in Guido da Montefeltro — The Ninth Trench. Sowers of Discord between Churches, States, and Individuals. Bertran de Born.

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The Ninth Trench continued. Sowers of Discord Geri del Bello — The Tenth Trench. Falsifiers 1 of Metals. Griffolino — The Tenth Trench continued. Gianni Schicchi.

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Master Adam. Sinon — The Edge of the Bank overlooking the Central Well. Titans, Giants, or Supermen. Similarly all over Florence and throughout Italy slabs will be found commemorating his famous references to historic sites. The Ninth Circle. Traitors to their Relatives. Camicion de Pazzi — Traitors to their Country. Bocca degli Abati — The Second Ring continued. Traitors to their Country or Party. Count Ugolino — Traitors to their Guests. Frate Alberigo.

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The Fourth Ring. Traitors to their Benefactors. Traitors to Human and Divine Majesty. In Satan, Man has seen the reality of the three dangers which prevented his access to the Mountain of Delight.

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The sensual Leopard of Incontinent Appetite, the arrogant Lion of Bestial Violence, and the greedy, materialistic Wolf of Malicious Fraud and Treachery are seen to have been adumbrations of the Impotence, Ignorance, and Hatred that spring from rebellion against the equally Almighty, All-wise, and All-loving Spirit of the Universe. The Fall of Lucifer — Iracondi ed Accidiosi. Cerchio Settimo. Girone Primo. Violenza contro il Prossimo.

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Omicidi e Guastatori. Girone Secondo. Cerchio Ottavo. Bolgia Prima. Ruffiani e Seduttori. Bolgia Seconda. Adulatori e Meretrici. Dante, representing Man, astray in the Wood of Sin, at the age of thirty-five. Dante having been born in , the date of the Vision recorded in the Poem is Later than the time of line 13, early in the morning of Good Friday, , at the beginning of Spring, when the sun was in the constellation of Aries, where it was believed to have been on the day of Creation.

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The Wolf, evidently the most dangerous of the three Beasts to Dante, represents the class of sins spiritually the most dangerous to Man. The prophecy of the Veltro, or Hound, a vaguely described future deliverer of Italy, Can Grande the great Dog della Scala, of Verona, which lies between two Feltros, being possibly intended.

That the source of the Wolf is Envy, the offspring of Pride, falls in with the above interpretation of the worst of the three animals, Greed. Invocation of the Muses, who represent the Arts and Sciences, upon a knowledge of which a poet must draw, as well as upon his own Genius and Memory. Aeneas, who descended into Hades to get the help, which led to his conquest of Italy, and eventually to the glories of Imperial and Papal Rome. Fearlessness and Freedom, here as elsewhere, the great spiritual qualities.

Virgil Reason accepted by Dante as his Leader, Lord and Teacher, titles with which he addresses, or refers to, him appositely in each case. Herewith the two poets enter upon the rough road which leads them underground to the outer Gate of Hell. Inscription on the Gate, describing Hell as being a spiritual state, in the letter of the allegory, a place eternally created by the Power, Wisdom, and even the Love of God, wherein Pain is the eternal concomitant of Disobedience of a Will inspired by perfect Justice.

Fearlessness the initial quality requisite of whoever would know Reality. The stars, here as elsewhere, the symbols of the Hope, abandoned by whoever enters Hell. Cowards, Neutrals, and the Lukewarm in moral and spiritual concerns, who, held in contempt by the universe, are rejected by Heaven and Hell alike. The restless Flag of Fashion followed by those whose deeds, thoughts, feelings, and beliefs are not self-determined. Most commentators take him to be Celestine V, who was induced to abdicate the Papacy through humility by the fraudulent intrigues of his successor, Boniface VIII.

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Never spiritually alive, they act only under external compulsion, while their blood and tears serve only to feed lower forms of life. The river Acheron, crossed by all who, in willing sin, will its equivalent and inseparable punishment. Charon, the Ferryman of Acheron, who refuses to receive Dante, because he is not, as are the others, spiritually dead. The password which prevails in the realm of Incontinence, where Reason, though neglected, is respected. Under the symbolism of earthquake, wind, and lightning Dante describes his mysterious birth by a flash of intuition, as it were, into a first appreciation of the truth which pervades the whole of his Inferno, that any state of Sin is one with its accompanying, or equivalent Pain.

Specially deserving of notice are the occasions when Virgil and Dante show Edition: current; Page: [ [xxvii] ] sympathy, or refuse it, for sinners in the lower world. This outermost circle portrays the spiritual state of the innocent and worthy, but pagan-minded, who, not having attained the Christian conception of life, cannot, while in that state, share in its happiness, and who therefore, though desiring, have no hope. The light surrounding these illustrious Pagans is only a hemisphere, because their loyalty to Reason was unquickened by spiritual faith. Dante received among them as an equal, a claim on his part more than confirmed by the verdict of posterity.

The military and political Heroes of the Trojan-Roman civilization, with the chivalric Saladin as the only representative of Mohamedanism. A commentary on Aristotle, followed by the great medieval theologian, Thomas Aquinas. Dante here enters the real Hell of Sin and Pain, whose darkness is nowhere mitigated even by the half light of Reason. As, in descending, the circles grow narrower, the sins they reveal and the pain the latter involve are conceived as growing in intensity.

His tail is with grim humor conceived as long enough to girdle him eight times. A suggestion of the danger of contamination in an unguarded examination of Sin. Carnal sinners in general; their punishment being merely a picture of their sin, they are swept around in the dark by the aimless winds of sexual passion uncontrolled by Reason. Blaming God, or others, and not themselves, characteristic of those held in Hell. Semiramis leads those who sinned through brutal lasciviousness, or incest. In marked contrast with Semiramis, Dido of Carthage, who, faithless to her plighted loyalty to her dead husband, gave herself to Aeneas, leads those who weakly yielded to a genuine, though illegal, love for one person.

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The pitiful story of Francesca da Rimini and Paolo Malatesta, which has made its fifth canto one of the most popular of the Inferno, is treated by Dante with his utmost poetic charm and sympathy, because though sinful, theirs was the sin of a genuine love. Noteworthy is the contrast between the love of the man and that of the woman. When found together, Francesca and Paolo were killed, without a chance of repentance, by her husband, Gianciotto Malatesta, lord of Rimini.

The Italian dottore is best taken here, as above, as meaning not teacher, but leader. The cold and dirty rain in which the Gluttons are submerged, and the three-mouthed monster, Cerberus, who torments them, represent their disgusting abuse of the natural and necessary appetite for Food. Sympathy, because gluttony and the like are sins to which the social and good-natured are peculiarly tempted. The Bianchi and Neri are the factions referred to. Three suns are three years. Of the two just men in Florence, it is quite like Dante to have had himself in mind as one.

Illustrious citizens of Florence, whom Dante respected for their civic virtues, but whom he will see lower down in Hell, because of their personal sins.

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